Fran Wilde is a writer and technology consultant hard at work on her third novel. You can read her short stories online at Nature Magazine and Daily Science Fiction She can tie various sailing knots, set gemstones and program digital minions. She blogs at franwilde.wordpress.com.
1. You have two novels completed and two more in progress. Tell us about them.
Moonmaker is adult science fiction. It’s my first novel, and I’ve recently received some fantastic feedback on it. The story is pretty ambitious, given that I’d never written a novel before. I am lucky to have people who believe in it, since the process of finishing a novel and getting it out there is so complex. Moonmaker combines game building and programming with a bunch of things I didn’t know much about until I dove into the research. A friend was kind enough to loan me an astrophysicist at one point (he’s awesome), so I had some great insights when it came to moons and orbits. I did a very light query on the book last fall, but have decided to take it back into editing. A few spin-off short stories are in process too.
The second novel, Bone Arrow, is my baby right now. It’s young adult fantasy, with a lot of low-tech engineering. I was a house writer for university engineering programs for a long time, and my first job was proofreading engineering articles. The tech behind bridges and towers and a few other things got stuck in my head, I guess. But that’s just setting, and offstage background. The characters in Bone Arrow — they ran away with the book. I had all these plans for what was supposed to happen, and… yeah. They had other plans. I loved watching the story unfurl. I love hearing reactions from people who have read it.
One thing I should say is that my friends from Viable Paradise who have urged me on while writing this book, and who are a really incredibly generous source of support, even while deep in their own work, have been there from the start on this. I’m very grateful for them. In addition, I took Bone Arrow with me to Taos Toolbox last summer. After an all-night plot-breaking session with my roommate and several amazing upcoming writers and friends, I’d grown a whole new grasp on how to plot story. Bone Arrow and the stories that come after are much stronger for these experiences.
The third novel is set in the same world as Bone Arrow, and the fourth is a distant-future offshoot of Moonmaker.
2. What short fiction publication are you most proud of, and why?
All of them, for different reasons. If you press me, I’d say, so far, the 2012 Nature story, “Without.” It’s short, but there’s a lot in it. I’m proud of it mostly because the story wasn’t working, even after a critique. Then I quit taking one character’s side over the other and let both characters have completely valid points, as they saw it. Then it worked. That was an important lesson.
3. You’ve interviewed an impressive collection of genre authors for your “Cooking the Books” project. Where did you get the idea to talk about writing by talking about food?
I’m having a ridiculously fun time with Cooking the Books. I’ve gotten a lot of encouragement along the way, especially from author A.C. Wise and all the writers who have agreed to be interviewed so far.
Back in a previous life, I interviewed a lot of people for work. I missed doing it. When I started the column, it felt a bit more risky: this time I was interviewing people not for a client, or a journal, but because I really cared about the answers, for me. It’s exciting and terrifying all at the same time.
The whole thing started at Viable Paradise. Steven Gould (who not only has a new book out, Impulse, but is running for SFWA president – go check him out!) and I were talking about a recipe I had in the back pages of a foreign service cookbook. The recipe was for “Elephant Stew.” (the book also had “Stuffed Camel” and something for cobra.). The first direction is “Cut elephant into bite-sized pieces.” Steven Gould said “That sounds like a recipe for a novel.” I asked him if he’d say that in print, and we were off to the races. Shortly after, Elizabeth Bear and Gregory Frost agreed to interviews – and then people began suggesting others who might like to participate as well. I had a lot of fun interviewing more of the Viable Paradise faculty last fall: author James D. Macdonald, Macallister Stone (of Absolute Write), Bart, and author Steven Brust. The December interview with Aliette de Bodard was just amazing, and the upcoming interviews — well, they’re going to be awesome.
I’d love to have a dinner party with the recipes. Except for the marmot. And Joe Haldeman’s foxhole pizza. Also, we’d need more beverage recipes to pull off a good party. I’m also dreaming up ways to do a Cooking the Books game show at a convention.
4. Which fictional recipe would you most like to try?
Oh gosh. All of them? I love new tastes. I might skip the alien food from Neal Stephenson’s Anathem.
I’m a little limited by food allergies in real life, so that’s probably why I like fictional food so much.
The best source for someone who makes fictional recipes come to life is Chelsea over at Food Thru the Pages and the folks at Fictional Food. Not only are the recipes fantastic, the photography is gorgeous.
5. You attended Viable Paradise in 2011. Now that you’ve had a year to process that experience, what stands out in your memory as the best moment of the workshop?
That’s a tough question, because there are so many memories. Talking with people: students, staff, and instructors. Sitting in my room with friends, writing and talking about writing. Walking by the ocean and talking with people. Listening to writers I admired discuss what they do, and then having conversations with them about my work, and having them take it, and me, seriously. Singing.
6. What advice would you give someone planning to apply to VP?
Submit your best work. Be prepared to work hard. Keep an open mind. Stay human.
7. How do you balance your day job, husband, child, pets, friends, and writing both non-fiction and fiction?
Lots of calibrating and re-calibrating. Setting up a schedule was key. Continuing to make sure the schedule still works is also key. After that, making sure that I respect my time, and use it wisely.
8. Does your non-fiction writing positively affect your fiction writing?
Absolutely – everything informs everything else.
9. Travelling to conventions, attending workshops, and being active online has contributed to you being a visible part of the genre writing community. Has your view of “famous” writers changed?
Everyone out there is a huge fan of someone else — that’s a big revelation. I don’t think it’s changed my view, just enhanced it. Fame is fleeting, and nebulous. I’m as big a fan of some writers who haven’t yet been published as I am of folks who are on their sixteenth, or sixtieth tour. The people I admire most are kind to others, no matter who they are.
10. If you could cook dinner with any author, who would you pick?
Nalo Hopkinson – have you seen her #foodisgood tweets? they make me so hungry.
What do you think you would cook?
Hmm. Something with mangoes and avocados. Two of my favorite foods.